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‘Q & A with UP Projects and Leah Lovett: Contracorrente/Upstream’, Aesthetica Magazine [online], July 2016.
‘Time Split’, in Townley & Bradby (eds.), Brood, Issue 1, January 2016.
‘Contra Band’, in Campkin, B and Duijzings, G (eds.), Engaged Urbanism: Cities and Methodologies (London and New York: I.B. Tauris, 2016)
'Artist as Medium: Residents of the Beautifullest Place on Earth' (2015), written to accompany The Beautifullest Place on Earth, a collaboration between Slade, UCL and the National Trust at Red House, Bexleyheath
My contribution for the Newspaper, a publication to accompany the exhibition A Small Hiccup, features a conversation between the artist and a disembodied ventriloquist's dummy called Egar.
'Crowd Control: Encountering Art's Audiences' in Remes, Outi, MacCulloch, Laura and Leino, Marika (eds.), Performativity in the Gallery: Staging Interactive Encounters (Oxford: Peter Lang Ltd., 2013)
'Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop' [Review], darkmatter journal [online], Issue 10, September 2013.
Read this review at darkmatter.
Review of Sarah Pickering's 'Art and Antiquities', Photography and Culture, Volume 5, Issue 1, March 2012.
'Performing Protest' (2010), in Silent City and Shoppinghour (eds.) Should art be separated from activism? (London, 2011)
Psychogeography: Framing Urban Experience, 2008
Plagiarism -or recycling the MA1 course study pack, 2008
An essay written in response to the plagiarism detection software, Turnitin,
using the words of Theodor Adorno, Donald Barthelme, TJ Clark, Jacques
Derrida, Gilles Deleuze, Michel Foucault, David Goldblatt, Felix Guattari,
Rosalind Krauss, George Kubler, Craig Owens, Joy Sleeman and Robert Smithson.
The idea is taken from Graham Rawle.
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